Penny Serenade is a 1941 American melodrama film directed by George Stevens starring Irene Dunne and Cary Grant as a loving couple who must overcome adversity to keep their marriage and raise a child. It was produced and distributed by Columbia Pictures. Grant was nominated for the Academy Award for Best Actor for his performance.
They apply at an adoption agency for a two-year-old boy, and receive a call from Miss Oliver (Beulah Bondi) that a five-week-old baby girl is available. Though Roger would have preferred a boy, he falls in love with the baby, and he and Julie care for her during their one-year probation period. At the end of that time, Roger has lost the newspaper, and the law prevents him from adopting the baby without an income. Roger appears before the judge and delivers an impassioned plea to keep the child, whom he considers his own. The judge awards custody, and Roger returns home to Julie with their daughter.
Years later, Roger and Julie swell with pride as their daughter, Trina, not yet old enough to play an angel in the Christmas play, plays the "echo" instead. The following Christmas, Julie writes to Miss Oliver that Trina has died from a sudden illness. The child's death sends Roger into a deep depression, and Julie resolves to leave him, believing he no longer needs her. Just as she is about to leave for the train station, the couple receive a phone call from Miss Oliver, saying that a two-year-old boy has just become available for adoption. Roger and Julie embrace, ready to rebuild their marriage with a new child.
The film depicts the passage of time through the playing of songs. According to George Stevens' papers stored at the Academy of Motion Picture Arts and Sciences library, Stevens kept close track of the chronology of the songs to accurately match them to the different time periods in the script. These songs include "The Japanese Sandman", "These Foolish Things", "Just a Memory", "Three O'Clock in the Morning", "Ain't We Got Fun", and "The Prisoner's Song".
At the time, California law restricted the time an infant could be present in a film studio to two hours per day; during that time, the infant could be kept on a sound stage for only one hour, and be filmed under the studio lights for only twenty minutes at a time. To double the amount of time he could film the character of Trina both as a baby and as a one-year-old, Stevens hired identical twin girls for Trina at each age. The baby was played by Judith and Dianna Fleetwood, and the one-year-old by Joan and Jane Biffle.
When the movie premiered at the Radio City Music Hall, Bosley Crowther, in a somewhat ambivalent review, concludes "there some very credible acting on the part of Mr. Grant and Miss Dunne is responsible in the main for the infectious quality of the film. Edgar Buchanan, too, gives an excellent performance as a good-old-Charlie friend, and Beulah Bondi is sensible as an orphanage matron. Heart-warming is the word for both of them. As a matter of fact, the whole picture deliberately cozies up to the heart. Noël Coward once dryly observed how extraordinarily potent cheap music is. That is certainly true of Penny Serenade".
Grant considered his role in Penny Serenade as his best performance. Dunne often remarked that this was her favorite film "because it reminded her of her own adopted daughter".
A television adaptation for Lux Video Theatre, starring Phyllis Thaxter and Don Taylor, was broadcast on January 13, 1955, on NBC.
In the film Thelma & Louise (1991), state police and FBI personnel watch Penny Serenade on late-night television while monitoring a phone tap at Thelma's home in Arkansas. (Only the film's audio is briefly heard.)
In The Sopranos episode "The Weight" (2002), Ginny Sacrimoni claims to be up late because Penny Serenade was on AMC, when in fact she was weighing herself.
Casting
Filming
Release
Critical reception
Accolades
Adaptations
Copyright status and home media
In popular culture
External links
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